SUBMISSIONS

CutBank reads general submissions for print issues from September 15 through February 1.  

We accept submissions in poetry, fiction, and creative nonfiction.  Please read the submission guidelines for your selected genre closely.  

If you are unfamiliar with CutBank, we strongly recommend that you read a few issues of the magazine before submitting.  You can purchase a sample issue or the most recent issue at cutbankonline.org/shop or by selecting it from the list below.

CutBank Contests, including the Patricia Goedicke Prize for Poetry, Montana Prize for Fiction, and Montana Prize for Creative Nonfiction, are open November 9-January 15.  There is a $20 reading fee for each prize, and one winner from each genre will be awarded $500.  Again, please read submission guidelines closely.  

The annual CutBank Chapbook Competition will be open January 1-March 31.  Contest entry is $20 and one winner will be awarded $1000 and publication of the chapbook.  Please read submission guidelines carefully.

Thank you for your interest in CutBank and for supporting the magazine.  We look forward to reading your work!






Taken from Gertrude Stein’s Tender Buttons, and the poem “Rooms,” our series title appears in the line:  “Cadences, real cadences, real cadences and a quiet color. Careful and curved, cake and sober, all accounts and mixture, a guess at anything is righteous, should there be a call there would be a voice.”

Please submit up to 5,000 words of prose, fiction or creative nonfiction. We welcome all breeds of creative hybrid and collaboration. For this series, we seek work from writers who self-identify as “queer,” while acknowledging that this designation is subjective and highly personal. We believe the term “queer” connotes flexibility--we will not police your identity.

That said, our goal is to provide a forum for writers whose voices might be mis- or underrepresented by the literary mainstream, and we ask that contributors respectfully acknowledge this objective. Submitted content need not be LGBTQ-specific. Work must be previously unpublished. We will accept simultaneous submissions with timely notification. Allies are encouraged to contribute reviews of poetry and prose by queer authors from books contemporary to historic. We are also seeking provocative interviews with queer writers and artists. 


Taken from Gertrude Stein’s Tender Buttons, and the poem “Rooms,” our series title appears in the line:  “Cadences, real cadences, real cadences and a quiet color. Careful and curved, cake and sober, all accounts and mixture, a guess at anything is righteous, should there be a call there would be a voice.”

Please submit up to 7 poems. We welcome all breeds of creative hybrid and collaboration. For this series, we seek work from writers who self-identify as “queer,” while acknowledging that this designation is subjective and highly personal. We believe the term “queer” connotes flexibility--we will not police your identity.

That said, our goal is to provide a forum for writers whose voices might be mis- or underrepresented by the literary mainstream, and we ask that contributors respectfully acknowledge this objective. Submitted content need not be LGBTQ-specific. Work must be previously unpublished. We will accept simultaneous submissions with timely notification. Allies are encouraged to contribute reviews of poetry and prose by queer authors from books contemporary to historic. We are also seeking provocative interviews with queer writers and artists.