SUBMISSIONS


CutBank reads general submissions for print issues from September 15 through February 1.  


We accept submissions in poetry, fiction, creative nonfiction, and visual art.  Please read the submission guidelines for your selected genre closely.  


If you are unfamiliar with CutBank, we strongly recommend that you read a few issues of the magazine before submitting.  You can purchase a sample issue or the most recent issue at cutbankonline.org/shop or by selecting it from the list below.


CutBank Contests, including the Patricia Goedicke Prize for Poetry, Montana Prize for Fiction, and Montana Prize for Creative Nonfiction, are open November 9-February 1.  There is a $20 reading fee for each prize, and one winner from each genre will be awarded $500.  Again, please read submission guidelines closely.  


The annual CutBank Chapbook Competition will be open January 1-May 31.  Contest entry is $20 and one winner will be awarded $1000 and publication of the chapbook.  Please read submission guidelines carefully.


Thank you for your interest in CutBank and for supporting the magazine.  We look forward to reading your work!







Visual art should be uploaded as JPEG or TIFF files of at least 300 dpi. CutBank welcomes submissions of all types of visual art for publication in our upcoming print edition. Painters, encausticists, draughtswomen, draughtsmen, sculptors, printmakers, photographers, collagists, ceramicists, illustrators, comics-creators, metalsmiths, and Calderesque mobile constructors are welcome to submit. Conceptual and installation artists can join the party as well, as long as there is a way to exhibit your art in our journal. If your work is 3D, we recommend uploading multiple images to feature rotational perspective. Please submit no more than five high quality files and include an artist biography. Artist statements are appreciated but not required. If your piece is accepted, it may be used in the print edition, online features, or as cover art, for which we pay. We will contact you with updates regarding selection and where we would like to display your work. You may direct any questions to cutbankarts@gmail.com.

Taken from Gertrude Stein’s Tender Buttons, and the poem “Rooms,” our
series title appears in the line:
 “Cadences, real
cadences, real cadences and a quiet color. Careful and curved, cake and sober, all accounts and mixture, a guess at
anything is righteous, should there be a call there would be a voice.”


Please submit up to 5,000 words of prose, fiction or creative nonfiction. We welcome all breeds
of creative hybrid and collaboration. For this series, we seek work from
writers who self-identify as “queer,” while acknowledging that this designation
is subjective and highly personal. We believe the term “queer” connotes flexibility--we will not
police your identity.

That said, our goal is to provide a forum for
writers whose voices might be mis- or underrepresented by the literary
mainstream, and we ask that contributors respectfully acknowledge this
objective. Submitted content need not be LGBTQ-specific. Work
must be previously unpublished. We will accept simultaneous submissions with timely
notification. Allies are encouraged to contribute reviews of
poetry and prose by queer authors from books contemporary to historic. We are
also seeking provocative interviews with queer writers and artists. 


Taken from Gertrude Stein’s Tender Buttons, and the poem “Rooms,” our
series title appears in the line:
 “Cadences, real
cadences, real cadences and a quiet color. Careful and curved, cake and sober, all accounts and mixture, a guess at
anything is righteous, should there be a call there would be a voice.”


Please submit up to 7
poems. We welcome all breeds
of creative hybrid and collaboration. For this series, we seek work from
writers who self-identify as “queer,” while acknowledging that this designation
is subjective and highly personal. We believe the term “queer” connotes flexibility--we will not
police your identity.

That said, our goal is to provide a forum for
writers whose voices might be mis- or underrepresented by the literary
mainstream, and we ask that contributors respectfully acknowledge this
objective. Submitted content need not be LGBTQ-specific. Work
must be previously unpublished. We will accept simultaneous submissions with timely
notification. Allies are encouraged to contribute reviews of
poetry and prose by queer authors from books contemporary to historic. We are
also seeking provocative interviews with queer writers and artists. 








Cutbank Literary Journal